February 27, 2026
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Director Neeraj Ghaywan’s Homebound bowed out of the Oscar race at the nomination stage on Thursday. The five nominees announced for the International Feature Film category for the 98th Academy Awards are Brazil’s The Secret Agent, France’s It Was Just an Accident, Norway’s Sentimental Value, Spain’s Sirāt, and Tunisia’s The Voice of Hind Rajab.

Though Homebound, which premiered in the Un Certain Regard section at the Cannes Film Festival in May last year, had secured a spot among the 15 films shortlisted for the International Feature Film category last month, competition for the final five nominations was especially fierce.

After winning multiple awards at Cannes, including best director award for Kleber Mendonça Filho and best actor award for Wagner Moura (who is popular for playing Pablo Escobar in the series Narcos), The Secret Agent has steadily gained momentum during the awards season. The Brazilian political drama, set in 1977 when the country was under dictatorship, explores the absurdities of life as Moura, who plays a widower, returns to Recife during a carnival, to be reunited with his son.

Filho, known for directing acclaimed movies like Bacurau, makes a strong statement about everyday corruption and military dictatorship in the 160-minute period piece that’s being praised for its visual richness and sound, apart from compelling performances. The Secret Agent has already bagged Golden Globes for Best Motion Picture-Non-English Language and Best Performance by a Male Actor in a Motion Picture-Drama for Moura.

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It Was Just an Accident, written and directed by Iranian filmmaker Jafar Panahi, has long been considered an Oscar frontrunner. Shot discreetly in Tehran, the winner of Palme d’Or, and four Golden Globes nominations, Panahi’s movie is an unconventional revenge drama that dwells more on moral dilemmas even as it packs an incisive commentary on authoritarianism.

Yet another Oscar-favourite Sentimental Value, directed and co-written by Joachim Trier, has received nine nominations including Best Picture, Best Director, Best Actress (Renate Reinsve), Best Supporting Actor (Stellan Skarsgård), and Best Supporting Actress nominations for Elle Fanning and Inga Ibsdotter Lilleaas. The movie, which won the Grand Prix at Cannes, is a gripping exploration of the estranged relationship between an aging filmmaker past his prime and his daughters.

Directed by Oliver Laxe, Sirât, a winner of 2025 Cannes Jury Prize, deftly combines a visually and sonically rich experience. A father (Sergi López), accompanied by his young son and pet dog, looks for his missing daughter, who is supposed to be entangled in the local rave culture, in the Moroccan desert. What makes this genre-defying movie engrossing is its emotional depth.

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The Voice of Hind Rajab is one of the most political narratives competing for the Oscar trophy. The docudrama, written and directed by Kaouther Ben Hania, follows the events after Hind Rajab, a six-year-old Palestinian girl, contacts Palestinian Red Crescent Society to rescue her while under siege in Gaza City in 2024 and after losing her family members, who had been shot in an attack by the Israeli Defence Forces. The film uses the real voice of Hind Rajab while recreating the action of emergency response coordinators

Even though Homebound’s Oscar campaign comes to an end, it remains a significant Indian film that touched the global audience with the story of two young friends and their struggles. Producer Karan Johar summed it up aptly when he thanked Ghaywan on social media for “allowing us to bask in your light”.

Alaka Sahani is a prominent film critic and journalist based in Mumbai. With a career spanning over two decades, she has established herself as one of India’s most authoritative voices in cinematic journalism, known for an analytical approach and insights that transcend the standard cycle of celebrity journalism.

Expertise & Accolades
In 2014, Alaka was honoured with the National Film Award for Best Film Critic. Her Swarna Kamal (Golden Lotus) citation specifically lauded her for “highlighting facets of cinema beyond glamour and gossip” and for her ability to delve into the contemporary relevance of iconic filmmakers. Her commitment to journalistic integrity was further recognised in 2019 with a Special Mention at the Red Ink Awards for her investigative feature, ‘In Search of a Star’. Her article titled ‘People Like Us’, published in The Indian Express on March 27, 2022, was shortlisted for Red Ink Award, 2023.

Global Industry Leadership
Alaka’s expertise is sought after by major international and domestic film bodies:

Golden Globes: In 2025, she joined the international voting body for the 83rd Annual Golden Globes.

National Film Awards: She served on the prestigious jury for the 68th National Film Awards, helping select the finest contributions to Indian cinema.

Global Perspective: Her work consistently bridges the gap between commercial Bollywood A-listers and emerging independent talents, offering nuanced insights into both Indian regional cinema and international film trends.

Focus & Vision
Beyond the screen, Alaka is a dedicated observer of Mumbai’s vibrant theatre scene and the historical evolution of the moving image. Through her long-form articles and deep-dive interviews, she continues to challenge “tried-and-tested” templates, providing readers with a deep understanding of the artistic and systemic workings of the Indian and global film industry. … Read More

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