July 24, 2026
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3 min readJul 24, 2026 05:15 PM IST

Writer-director Anuparna Roy’s relationship with the Venice International Film Festival is proving to be more than a one-off success. A year after winning the Best Director award in the Orizzonti section for her debut feature Songs Of Forgotten Trees last year, the filmmaker will return to the festival with her sophomore outing, Lovers In The Blue Night, which has been selected for the same competitive section.

Set against the backdrop of Mumbai’s restless nights, Lovers In The Blue Night follows the intertwined lives of four migrants—a closeted husband, his lonely wife who works at a bar, a small-time thief and a pimp—whose paths cross through unexpected love, survival and forbidden desire. Told in Hindi, Sylheti Bengali and Marathi, the film explores longing, migration, identity and the search for belonging in a city that leaves little room for vulnerability.

“Overwhelmed” by the Venice selection, Anuparna Roy says: “The film draws from my own life as a migrant, watching working-class lives slowly dissolve into the restless pulse of the city. It is about people who dare to desire in a world that punishes feelings—a gay man bound by duty, a woman yearning to be seen, and a thief craving acceptance.”

Roy admits she has always been drawn to stories that are deeply personal as well as political. She traces the origins of the film to a childhood memory from her hometown of Purulia. “As a child, I knew a woman named Ameena, who worked as a bonded labourer in my hometown. She became my constant companion. One day, I innocently asked her why she and her husband Karim never slept together. She quietly replied, ‘He doesn’t take me with him.’ I did not understand what she meant then, but the moment stayed with me,” the writer-director recalls.

With Lovers In The Blue Night, Anuparna Roy imagines an alternate life for Ameena in Mumbai. In the metropolis, she chooses her own freedom and desire, living life on her own terms—even if that freedom leads her into another kind of loop, one that is ultimately of her own choosing. The ensemble cast includes Neelima Sharma, Pritam Pilania, Bhushan Shimpi, Jatin Sarin, Kajal Keshav and Vinod Suryavanshi.

Vikas Kumar, co-founder of production company Khan and Kumar Media and one of the film’s lead producers, says the Venice selection is a proud moment for the team. “At Khan and Kumar Media, Sharib Khan and I have always believed that powerful stories deserve to travel beyond borders. Seeing Lovers In The Blue Night invited to the Orizzonti Competition at Venice, following Songs Of Forgotten Trees last year, is an incredibly humbling moment for us.”

Calling Roy “one of the most distinctive filmmaking voices of her generation”, Kumar also thanked the Venice programming team, fellow producers Bibhanshu Rai and Romil Modi, and the cast and crew for helping bring the film to life.

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Following its Best Director win at Venice last year, Songs Of Forgotten Trees travelled to several major international film festivals, where it picked up multiple awards, further cementing Roy’s emergence as one of the most exciting new voices in Indian independent cinema.

Alaka Sahani is a prominent film critic and journalist based in Mumbai. With a career spanning over two decades, she has established herself as one of India’s most authoritative voices in cinematic journalism, known for an analytical approach and insights that transcend the standard cycle of celebrity journalism.

Expertise & Accolades
In 2014, Alaka was honoured with the National Film Award for Best Film Critic. Her Swarna Kamal (Golden Lotus) citation specifically lauded her for “highlighting facets of cinema beyond glamour and gossip” and for her ability to delve into the contemporary relevance of iconic filmmakers. Her commitment to journalistic integrity was further recognised in 2019 with a Special Mention at the Red Ink Awards for her investigative feature, ‘In Search of a Star’. Her article titled ‘People Like Us’, published in The Indian Express on March 27, 2022, was shortlisted for Red Ink Award, 2023.

Global Industry Leadership
Alaka’s expertise is sought after by major international and domestic film bodies:

Golden Globes: In 2025, she joined the international voting body for the 83rd Annual Golden Globes.

National Film Awards: She served on the prestigious jury for the 68th National Film Awards, helping select the finest contributions to Indian cinema.

Global Perspective: Her work consistently bridges the gap between commercial Bollywood A-listers and emerging independent talents, offering nuanced insights into both Indian regional cinema and international film trends.

Focus & Vision
Beyond the screen, Alaka is a dedicated observer of Mumbai’s vibrant theatre scene and the historical evolution of the moving image. Through her long-form articles and deep-dive interviews, she continues to challenge “tried-and-tested” templates, providing readers with a deep understanding of the artistic and systemic workings of the Indian and global film industry. … Read More

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