March 24, 2026
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5 min readMumbaiMar 24, 2026 01:00 PM IST

Actor Aamir Khan has delivered some brilliant performances on the big screen. While he has acknowledged both his success and failure in equal measures, every character Aamir has chosen has had a story behind it. Recently, in a conversation at the International Film Festival of Melbourne, Aamir was seen interacting with an audience, where he discussed some of his films and also shared interesting anecdotes about his roles.

Talking about his films, Aamir shared, “After Lagaan, I started doing one film at a time; before that, my producers and directors were not ready to work that way. The way I judge my performances is what I have in my mind and the head of the character, have I been able to bring it in front of my audience, and then have I managed to be consistent.”

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‘Raja Hindustani character was a bit of an MCP’

Aamir also spoke about his character from Raja Hindustani and called him “an MCP.” He said, “Raja Hindustani was a good performance; he was a bit of an MCP, but the performance was consistent. I really enjoyed doing Secret Superstar too. In real life, I am very disciplined; my mom has brought me up in a certain way, so I never get to misbehave. In that film, I could do what I wanted, so I really enjoyed it.”

 

‘Talaash could have done better, but our marketing was wrong…’

Another film that Aamir Khan spoke about was his 2012 film Talaash with Rani Mukerji and Kareena Kapoor Khan. Talking about where they went wrong with the film, Aamir Khan said, “Talaash got a good response, but in that film we made one mistake, it could have done better, but our marketing was wrong. We marketed the film as a thriller; we should have marketed it as a supernatural thriller. We should have prepared the audience to expect the climax, which came as a surprise; the larger audience would have loved the film had we gotten the marketing right. You can go wrong at any stage. Talaash was a good film, very well shot, brilliant performances, but I feel we went wrong with the marketing.”

Also Read: Aamir Khan tears up over Laal Singh Chaddha’s failure, says he was ‘overconfident’ with Rs 200 cr budget: ‘I thought it’d easily do Rs 300 cr’

Delhi Belly reached Aamir Khan via his cook

When someone in the audience pointed out how Delhi Belly was another great work of the actor, Aamir went on to share a fun anecdote about bagging the role in Delhi Belly. He said, “I was dying to do Delhi Belly, I wanted to do the role of the photographer. It was a strange thing that happened with that film. I was at home at night, and Kiran and I were supposed to go out somewhere. I had to reply to some important emails, so I told her to give me 15 minutes. I was going through my work on the desktop, and she was waiting. On my desk, there was a bunch of scripts I had not read. She picked up the first one, went through it, picked up the second one, the third one, and suddenly she started laughing. I asked her what was so funny, and she was literally rolling on the floor with laughter. I thought that seemed to be a good script. I finished my email, I sat with her, and we read the whole script; we were just cracking up.”

“Later, we checked the first page for the name of the person. Two people who had come from LA, Akshat and Jim, were students. I called them and asked if we could meet. They said they had been in Mumbai for the last three months trying to meet me, and they had just returned to LA the previous day failing to meet me. I asked them if they could come back, and they did. That’s how the film was made. Somebody had told them that they had to give the script to the cook in my house and tell the cook to keep it in my study. That’s what they did, and I had no idea,” Aamir recalled.

DISCLAIMER: This entertainment article shares nostalgic anecdotes and personal reflections from a public interview; the details regarding script discoveries and marketing regrets are based on the actor’s personal recollections and should be viewed as subjective storytelling rather than a factual report on current events.

Nawaz Javed Kochra is a seasoned entertainment journalist at The Indian Express Online, bringing nearly a decade of expertise to the forefront of cultural reporting. With a focus on the television and Over-The-Top (OTT) landscapes, he has established himself as a prominent voice in the industry, known for his high-profile celebrity interviews and insightful coverage of the Indian entertainment sector.
Experience & Career
Nawaz holds a Master of Arts in Communication and Journalism from Mumbai University, providing him with a rigorous academic and ethical foundation. In his 11-year career, he has navigated through several of India’s leading media houses, building a portfolio that spans digital, print, and broadcast media:

The Indian Express: Currently leads coverage of TV and OTT content, producing both written analysis and popular video interview segments.
Former Roles: He began his career at the iconic Stardust Magazine and later held key positions at Zoom TV, Zee Multimedia, MissMalini, Bollywood Bubble, and Raindrop Media.

Expertise & Focus Areas
Nawaz’s beat is characterized by a blend of exclusive access and trend analysis. His core areas of expertise include:

Reality Television: Specialized coverage of major franchises like Bigg Boss, providing behind-the-scenes insights and winner profiles.
OTT Ecosystem: Tracking the shift from traditional cable to digital streaming platforms, with a focus on web series and digital premieres.
Celebrity Profiles & Interviews: Nawaz is celebrated for his ability to foster candid conversations with industry stalwarts, from music composers like Amaal Mallik to other TV legends.
Investigative Entertainment News: Reporting on sensitive industry developments, including legal disputes and personal stories of resilience within the acting community.

Authoritativeness & Trust
With a reputation built on years of networking and credible reporting, Nawaz Kochra is a “known face” in the Mumbai media circuit. His work at The Indian Express adheres to the publication’s “Journalism of Courage” standard, ensuring that even entertainment reporting is approached with accuracy, sensitivity, and transparency. His educational background and extensive tenure across diverse media platforms provide him with the authoritative perspective required to analyze the rapid evolution of Indian show business. … Read More

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