March 12, 2026
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4 min readNew DelhiMar 12, 2026 07:57 PM IST

Dhurandhar 2 Advance Booking Box Office Update: The buzz around Ranveer Singh’s upcoming film Dhurandhar: The Revenge is getting louder by the day. Even before its release, the sequel to Dhurandhar has already sold over four lakh tickets for its preview shows. Directed by Aditya Dhar, the film is set to release on March 19, with multiple preview shows scheduled across the country on March 18 post 5 pm. According to industry tracker Sacnilk, the film has over 8,371 shows lined up nationwide for its previews. The Hindi 2D version remains the biggest contributor, with an average ticket price of Rs 414.

Dhurandhar: The Revenge is also enjoying a massive start at the advance booking window. Nearly a week ahead of its release, Dhurandhar: The Revenge has already crossed Rs 50 crore in worldwide advance bookings for its opening weekend. In India alone, the film has grossed around Rs 21.50 crore from its March 18 premiere shows, while overseas markets have contributed approximately Rs 35 crore for the opening weekend, including Rs 27 crore from North America, the trade aggregator reported.

Industry insiders believe the strong advance numbers are also a result of the lack of big releases in recent weeks as well as the anticipation created by the success of the first film. Motion film distributor Joginder Mahajan told SCREEN, “There is a huge craze for Dhurandhar 2 among both cinema owners and audiences. Since the release of Dhurandhar and Border 2, most cinemas have remained empty because no big film was released even on Eid, and none is scheduled for the next three weeks. On April 10, Akshay Kumar’s Bhooth Bangla will arrive, but until then every cinema will play Dhurandhar 2. The expected opening-day collection could cross Rs 60 crore.”

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The first film, Dhurandhar, was a box-office juggernaut, earning more than Rs 1,300 crore during its over two-month theatrical run despite being banned in several Gulf countries and Pakistan. This time, the makers are also aiming for a stronger pan-India reach by releasing dubbed versions in Kannada, Malayalam, Tamil and Telugu — something actor Allu Sirish believes was missing in the first film.

Sirish, actor and son of producer Allu Aravind, spoke to Variety about how Hindi films often miss opportunities by not dubbing into regional languages. “I think Hindi filmmakers should focus more on releasing their content here. Dhurandhar not being dubbed into Telugu was a huge opportunity missed. Imagine how much more business it could have done and how many more eyeballs it could have reached had it released in Telugu,” he said.

He added that Hindi studios should learn from films like Animal and Jawan, which managed to pull significant numbers from southern markets thanks to dubbed versions. “Usually, around 15–18 per cent of the all-India net comes from South India. But with Jawan, it went up to nearly 28–31 per cent. Filmmakers should invest more in dubbing their films in other languages,” he said.

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Learning from the past, the makers are now giving Dhurandhar: The Revenge a wider linguistic reach. The film will release simultaneously in Hindi, Kannada, Tamil, Telugu and Malayalam. With this changed approach, the film is also witnessing healthy traction in the South, with the Tamil and Telugu versions contributing significantly to the overall advance bookings.

Ashish Saksena, COO of BookMyShow, said the booking momentum is spread across multiple markets. While Hyderabad and Mumbai are leading the trend, cities such as Delhi-NCR, Bengaluru and Chennai are also showing strong traction, pointing to widespread nationwide interest in the film.

Jyothi Jha is an incisive Copy Editor and multi-platform journalist at The Indian Express, where she specializes in high-stakes entertainment reporting and cinematic analysis. With over six years of diverse experience across India’s leading media houses, she brings a rigorous, ethics-first approach to digital storytelling and editorial curation.

Experience & Career

Jyothi’s career is characterized by its breadth and depth across the media landscape. Before joining the editorial team at The Indian Express, she honed her expertise covering the entertainment beat for premier national broadcasters, including NDTV, Republic Media, and TV9. Her professional journey is not limited to digital text; she has a proven track record as an on-air anchor and has successfully managed production teams within the high-pressure segments of Politics and Daily News. This 360-degree view of newsroom operations allows her to navigate the complexities of modern journalism with veteran precision.

Expertise & Focus Areas

Guided by the Orwellian principle that “Journalism is printing what someone else does not want you to do,” Jyothi focuses on transparent, accountability-driven reporting. Her core areas of expertise include:

Cinematic Deconstruction: Analyzing the social subtext of mainstream Bollywood and South Indian cinema (e.g., Kantara, Masaan, Dabangg).

Toxic Masculinity & Gender Studies: A vocal critic of regressive tropes in Indian cinema, she often highlights the industry’s treatment of women and social progress.

Box Office & Industry Economics: Providing data-backed predictions and analysis of film performance and superstar fee structures.

Exclusive Multimedia Coverage: Conducting deep-dive interviews and long-form features that bridge the gap between archival history and modern pop culture.

Authoritativeness & Trust

Jyothi Jha has established herself as a trusted voice by prioritizing substance over PR-driven narratives. Her background in hard news and political production provides her with a unique lens through which she views the entertainment industry—not merely as gossip, but as a reflection of societal values. Readers rely on her for “Journalism of Courage,” knowing her critiques are rooted in a deep respect for the craft and a refusal to settle for superficiality. Her ability to pivot between daily news and specialized entertainment analysis makes her a versatile and authoritative pillar of The Indian Express newsroom.

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